CAJ | 학술논문

玛格丽特·安特伍德的《强奸幻想》是关于“强奸”这一社会敏感话题的独特小说。小说为第一人称叙事，但是文中多处运用第二人代词“你”，指代模糊，使小说的不可靠叙述和可靠叙述特点交替出现。文中通过认知叙事学分析小说从可靠叙事到不可靠叙事的过渡，指出玛格丽特实际上是反对激进的女性主义而不是倡导某种女性主义。玛格丽特认为男女间的不信任是妇女遭受暴力侵犯的主要原因，要解决这一问题需要两性的相互理解和对话。
마격려특·안특오덕적《강간환상》시관우“강간”저일사회민감화제적독특소설。소설위제일인칭서사，단시문중다처운용제이인대사“니”，지대모호，사소설적불가고서술화가고서술특점교체출현。문중통과인지서사학분석소설종가고서사도불가고서사적과도，지출마격려특실제상시반대격진적녀성주의이불시창도모충녀성주의。마격려특인위남녀간적불신임시부녀조수폭력침범적주요원인，요해결저일문제수요량성적상호리해화대화。
Margaret Atwood’s Rape Fantasy is a peculiar piece about the social taboo,rape. In addition to the first-person narratives, the story is also featured with the ambiguous use of deictic you which results in reliable narration as well as unreliable narration with its double deixis:in-story you and outside story you. Through the analysis of the change from“reliable”to“unreliable”,the paper points out that Margaret wants to object radical feminism rather than to uphold a kind of feminism. In the story,Margaret gives the solution to man’s violence to woman and the distrust between man and woman. That’s mutual understanding and dialogue.