上海大学学报(社会科学版)
上海大學學報(社會科學版)
상해대학학보(사회과학판)
JOURNAL OF SHANGHAI UNIVERSITY (SOCIAL SCIENCE EDITION)
2015年
3期
54-65
,共12页
喜剧电影%寓言%意识形态%寓言性%类型%现实
喜劇電影%寓言%意識形態%寓言性%類型%現實
희극전영%우언%의식형태%우언성%류형%현실
comedy films%allegory%ideology%allegorization%types%reality
中国当下颇为繁盛的喜剧电影创作与中国社会现实的关系暨喜剧电影的现实性与现实主义精神等问题无疑值得深入探析。以电影的“寓言性”为研究视角,以“现实文本化”和“主题寄寓性”这两个“寓言性”特点为切入点,对当下中国喜剧电影中有代表性的三种喜剧亚类型的艺术特点、寓言性以及与现实的关系等进行分析阐释可知:喜剧是当下电影与现实发生关系,即“接地气”的重要电影类型,这也是喜剧得到受众喜爱,票房屡创新高的一个重要原因。不同类型的喜剧对现实的折射或“寓言化”各有不同,甚至也有歪曲和扭曲,但无论是黑色喜剧的价值解构和社会缝合,还是都市爱情轻喜剧的中产阶级超现实梦幻,抑或是冯氏喜剧的世俗关怀,都是当下中国现实某一方面的影像化、寓言化呈现。通过分析喜剧电影对现实的寓言化表意以及对社会中人的造梦治愈和心灵抚慰等功能,我们可以进一步认识喜剧在精神文化层面上与我们这个“娱乐化”的“大喜剧时代”产生的复杂关系。
中國噹下頗為繁盛的喜劇電影創作與中國社會現實的關繫暨喜劇電影的現實性與現實主義精神等問題無疑值得深入探析。以電影的“寓言性”為研究視角,以“現實文本化”和“主題寄寓性”這兩箇“寓言性”特點為切入點,對噹下中國喜劇電影中有代錶性的三種喜劇亞類型的藝術特點、寓言性以及與現實的關繫等進行分析闡釋可知:喜劇是噹下電影與現實髮生關繫,即“接地氣”的重要電影類型,這也是喜劇得到受衆喜愛,票房屢創新高的一箇重要原因。不同類型的喜劇對現實的摺射或“寓言化”各有不同,甚至也有歪麯和扭麯,但無論是黑色喜劇的價值解構和社會縫閤,還是都市愛情輕喜劇的中產階級超現實夢幻,抑或是馮氏喜劇的世俗關懷,都是噹下中國現實某一方麵的影像化、寓言化呈現。通過分析喜劇電影對現實的寓言化錶意以及對社會中人的造夢治愈和心靈撫慰等功能,我們可以進一步認識喜劇在精神文化層麵上與我們這箇“娛樂化”的“大喜劇時代”產生的複雜關繫。
중국당하파위번성적희극전영창작여중국사회현실적관계기희극전영적현실성여현실주의정신등문제무의치득심입탐석。이전영적“우언성”위연구시각,이“현실문본화”화“주제기우성”저량개“우언성”특점위절입점,대당하중국희극전영중유대표성적삼충희극아류형적예술특점、우언성이급여현실적관계등진행분석천석가지:희극시당하전영여현실발생관계,즉“접지기”적중요전영류형,저야시희극득도수음희애,표방루창신고적일개중요원인。불동류형적희극대현실적절사혹“우언화”각유불동,심지야유왜곡화뉴곡,단무론시흑색희극적개치해구화사회봉합,환시도시애정경희극적중산계급초현실몽환,억혹시풍씨희극적세속관부,도시당하중국현실모일방면적영상화、우언화정현。통과분석희극전영대현실적우언화표의이급대사회중인적조몽치유화심령무위등공능,아문가이진일보인식희극재정신문화층면상여아문저개“오악화”적“대희극시대”산생적복잡관계。
The relationship between the considerably booming comedy films and the social reality in China and other issues such as the realistic nature and realistic spirit of comedy films are without doubt worthy of in-depth exploration and analysis.This paper,in the perspective of the “allegorization”of films,takes “reality textualization”and “theme allegorization”as the starting point,analyzes and expounds the artistic features of three representative subtypes of Chinese comedies and the relationship between allegorization and reality,con-cludes that comedy as an important type of film connects with reality,i.e.“links to the grassroots”,which is also a crucial reason why comedies are favored by audience and break box office records time again.Different types of comedies vary in reflecting reality or allegorizing in spite of some distortions and warps.Nevertheless, be it a black comedy which aims at value deconstruction and social stitching,or a metropolis love comedy which carries middle class′s dreams and imagination beyond reality,or a Feng-styled comedy which expresses secular concern,each presents allegorized images of “one or another type of reality”in China.Through the ideological analysis of functions of comedy films such as its allegorized expression of reality,healing by dream-making and soul consolation to the social men,we can further understand the irremovable complicated relationship between comedies and the “entertainment-oriented”“era of grand comedies”on spiritual and cultural levels.