韩山师范学院学报
韓山師範學院學報
한산사범학원학보
JOURNAL OF HANSHAN TEACHERS COLLEGE
2015年
2期
11-19
,共9页
潮州歌册%句式%平声韵%押韵
潮州歌冊%句式%平聲韻%押韻
조주가책%구식%평성운%압운
Chaozhou folk song%syntactical structure%level tone rhythm%rhythm
潮州歌册是以潮汕方言吟唱的一种说唱艺术,是一种富于地方特色的国家级非物质文化遗产。它以七字句式为主,并夹杂多种句式,其句式的变化引起节奏的变化,这些变化是与故事情节的变化、人物内心情感的抒发息息相关的。七字句为四句一组,90%以上为1、2、4句押韵的方式,还有少量的排韵、开头押韵等;七字句以押平声韵为主,其平声韵脚是阴阳相间的;其所有句式均可用仄声韵。潮州歌册押整个韵母且多数非入声韵母可押,这与潮州歌谣押韵特点大同小异;其通押、重韵、高频重现韵和押白读韵、俗读韵为主的特点,是由潮州歌册民间艺术的草根性决定的;潮州歌册以押齐齿呼韵为主,这既受其女子文化特性的影响,也与潮汕文化精细特性相关。
潮州歌冊是以潮汕方言吟唱的一種說唱藝術,是一種富于地方特色的國傢級非物質文化遺產。它以七字句式為主,併夾雜多種句式,其句式的變化引起節奏的變化,這些變化是與故事情節的變化、人物內心情感的抒髮息息相關的。七字句為四句一組,90%以上為1、2、4句押韻的方式,還有少量的排韻、開頭押韻等;七字句以押平聲韻為主,其平聲韻腳是陰暘相間的;其所有句式均可用庂聲韻。潮州歌冊押整箇韻母且多數非入聲韻母可押,這與潮州歌謠押韻特點大同小異;其通押、重韻、高頻重現韻和押白讀韻、俗讀韻為主的特點,是由潮州歌冊民間藝術的草根性決定的;潮州歌冊以押齊齒呼韻為主,這既受其女子文化特性的影響,也與潮汕文化精細特性相關。
조주가책시이조산방언음창적일충설창예술,시일충부우지방특색적국가급비물질문화유산。타이칠자구식위주,병협잡다충구식,기구식적변화인기절주적변화,저사변화시여고사정절적변화、인물내심정감적서발식식상관적。칠자구위사구일조,90%이상위1、2、4구압운적방식,환유소량적배운、개두압운등;칠자구이압평성운위주,기평성운각시음양상간적;기소유구식균가용측성운。조주가책압정개운모차다수비입성운모가압,저여조주가요압운특점대동소이;기통압、중운、고빈중현운화압백독운、속독운위주적특점,시유조주가책민간예술적초근성결정적;조주가책이압제치호운위주,저기수기녀자문화특성적영향,야여조산문화정세특성상관。
Chaozhou folk song, sung in Chaoshan dialect, is a very popular rap typical of Chaoshan fea?ture now ranks as a state-level intangible cultural heritage. The syntactical structures are usually seven-word, but sometimes in a variety of styles. The changes of syntactical structure cause the changes of rhythm, which are closely related to the plots of the stories and the moods of the people. Four seven-word verses form a stan?za, in which 90%of the first, second and fourth sentences are in a rhyming style, sometimes all the verses are in a rhyming stlye, which is known as“paiyun”, and sometimes the verses are in alliteration. The seven-word verses are mainly in level tonal rhymes, whose level tone feet alternate with Yin and Yang. All the patterns can be written in Ze tonal rhymes. All the final sounds can be in rhyme, as well as most of the non-entering-tone, which is almost the same as the rhyming characteristics in Chaozhou ballads, which are characteristic of“tong?ya”, the repetition of final sounds and rhymes but in colloquial and folk pronunciations. Chaozhou folk song is mainly in Qichihu rhythms, which is the result of its female culture as well as fine characteristics of Chaoshan area.