CAJ | 학술논문

魏清潮的散文走的是借景抒情、托物言志的传统写作套路，但他不会生硬地以自己构造的隐喻系统去改造和提升自然，而是赋予自然独立的美和表现价值。另外，他的大多数散文也不像过往的许多散文那样围绕意境的创造来谋篇布局，而是借用电影蒙太奇的表现手法，通过扑面而来的一个个画面的闪回、重叠或者对比，抒情或言志。
위청조적산문주적시차경서정、탁물언지적전통사작투로，단타불회생경지이자기구조적은유계통거개조화제승자연，이시부여자연독립적미화표현개치。령외，타적대다수산문야불상과왕적허다산문나양위요의경적창조래모편포국，이시차용전영몽태기적표현수법，통과복면이래적일개개화면적섬회、중첩혹자대비，서정혹언지。
The prose composed by Wei Qing-chao followed the conventional rituals and patterns of tak?ing advantage of scenes or describing objects to express emotions. However, he wouldn’t stiffly create his own metaphorical system to change or promote the nature, but rather bestow the beauty of uniqueness and value of expression on the nature. In addition, unlike most of other proses which organized the layouts around the artis?tic conception, he employed the technique of film montage in the prose, scenes constantly being taken and flashed back, repeated and compared, expressed emotions.