黄钟-中国·武汉音乐学院学报
黃鐘-中國·武漢音樂學院學報
황종-중국·무한음악학원학보
HuangZhong (Journal of Wuhan Conservatory of Music, China)
2015年
1期
164-168
,共5页
法国%中国当代作曲家%中国音乐%道家思想%中国传统乐器%表演艺术
法國%中國噹代作麯傢%中國音樂%道傢思想%中國傳統樂器%錶縯藝術
법국%중국당대작곡가%중국음악%도가사상%중국전통악기%표연예술
France%Chinese contemporary composers%Chinese music%Taoist ideas%Chinese traditional instruments%performing art
文章介绍了近年在法国产生影响的中国当代作曲家及其作品；还有他们创作所依托的道家思想、作品所运用的中国传统乐器和表演形式。这些中国作曲家不但呈现了各自的创作特色和音乐思想，也为中国音乐和中国文化向法国乃至西方世界的传播产生了积极的作用。
文章介紹瞭近年在法國產生影響的中國噹代作麯傢及其作品；還有他們創作所依託的道傢思想、作品所運用的中國傳統樂器和錶縯形式。這些中國作麯傢不但呈現瞭各自的創作特色和音樂思想，也為中國音樂和中國文化嚮法國迺至西方世界的傳播產生瞭積極的作用。
문장개소료근년재법국산생영향적중국당대작곡가급기작품；환유타문창작소의탁적도가사상、작품소운용적중국전통악기화표연형식。저사중국작곡가불단정현료각자적창작특색화음악사상，야위중국음악화중국문화향법국내지서방세계적전파산생료적겁적작용。
This paper was lecture content of music review by French music theorist Michèle Tosi in“2014 Wuhan International Music Festival”. It introduced the Chinese contemporary com-posers with their works affected in France in recent years, the Taoist ideas their creation were re-lied on, and the Chinese traditional instruments with their performing form used in those works. Those Chinese composers were not only presented their individual creative and music ideas, but also had a positive effect to spread the Chinese music and culture to France and the Western world.
