CAJ | 학술논문

《宣和奉使高丽图经》是研究宋代音乐东传高丽的重要资料，其独特的音乐史料价值为其他宋代史籍所不具备。它反映了高丽卤簿鼓吹乐效仿中国，乐器使用中国之制并融合本国特点，其“忌乐”期间持而不奏的礼仪也来自中国等历史细节。《高丽图经》反映出，北宋熙宁、元丰年间，两国之间的音乐交流颇为频繁，高丽国王王徽曾向宋神宗请教与请赐中国宫廷音乐，并自此形成求学于中国音乐的传统、且至少延续至北宋政和年间。
《선화봉사고려도경》시연구송대음악동전고려적중요자료，기독특적음악사료개치위기타송대사적소불구비。타반영료고려서부고취악효방중국，악기사용중국지제병융합본국특점，기“기악”기간지이불주적례의야래자중국등역사세절。《고려도경》반영출，북송희저、원봉년간，량국지간적음악교류파위빈번，고려국왕왕휘증향송신종청교여청사중국궁정음악，병자차형성구학우중국음악적전통、차지소연속지북송정화년간。
The Xuan He Feng Shi Gaoli Tu Jing was important information for studying the music in Song Dynasty spread to the Gaoli (Korea), its unique historical value for other historical books in Song Dynasty not available. It reflected the a lot of Korea historical details came from China such as Lubu guchui (royal ritual music) of Korea emulated Chinese one, music instruments used of Chinese system and integration of Korea own characteristics, its ritual of holding the instruments but not playing in the period of“music forbidden”also from China. Gaoli Tujing showed that the music ex-changes between two countries quite frequently in the years of Xi Ning (1068–1077), Yuan Feng (1078–1085) in Song Dynasty, Munjong of Goryeo consulted the Emperor Shenzong of Song and asked to teach the Chinese royal court music, and since then formed the tradition of studying Chi-nese music, which at least continued to the year of Zhenghe (1111–1117) in North Dynasty.