CAJ | 학술논문

当下电子音乐的发展已经进入计算机编程时期，Maxmsp平台的出现，确立了计算机情境下的全新层面，中国电子音乐作品中的“东方语境”，彰显了这一时期作曲家们的时代追求及民族自觉性。吴粤北在《嗟叹之Ⅱ》中依照中西合璧的创作理念，运用计算机Maxmsp编程的技术路线，融入深层次的东方文化概念，将计算机的情境与文化的传承完美结合，彰显出东方意蕴在电子音乐中的美学存在感。
당하전자음악적발전이경진입계산궤편정시기，Maxmsp평태적출현，학립료계산궤정경하적전신층면，중국전자음악작품중적“동방어경”，창현료저일시기작곡가문적시대추구급민족자각성。오월북재《차우지Ⅱ》중의조중서합벽적창작이념，운용계산궤Maxmsp편정적기술로선，융입심층차적동방문화개념，장계산궤적정경여문화적전승완미결합，창현출동방의온재전자음악중적미학존재감。
The development of electronic music has entered the period of computer programming at present, and that the emergence of Maxmsp platform established a new level of computer situation, the“Oriental context”in the work of Chinese electronic music showed the era of the pursuit and national consciousness possessed by the composers during this period. Based on the creative ideas of combination of Chinese and Western elements, Wu Yuebei created Jie Tan (Lamentation) II, which used of computer Maxmsp programming technique, incorporated ideas of oriental culture in deeper level, made the computer situation with cultural impart and inherit together perfect, showed the aesthetic exist sense of Oriental implication in the electronic music.