CAJ | 학술논문

中国女性解放的起点可以追溯到“五四”新文学时期，鲁迅、凌叔华、庐隐作为最早关注女性生存境遇的作者，他们的笔下都勾勒出沉睡之中和惊醒之后这两种女性形象，他们的“女性书写”显示出“五四”时期男女作家对于女性生存境遇言说的差异。对于沉睡之中女性的书写，鲁迅是从旁观者的角度阐述她们所遭受的压迫，凌叔华则揭露女性灵魂的孱弱程度，庐隐主要描写女性对自身命运的无助感；对于惊醒后女性的书写，鲁迅是站在“人的解放”的立场上期待她们自立，凌叔华描写女性的生存智慧，庐隐则着力剖析女性的情智冲突。他们的“女性书写”代表了“五四”时期对女性生存境遇言说的时代的高度，并窥破了隐藏在男女平等的旗帜下女性将要面临的新的困境。
중국녀성해방적기점가이추소도“오사”신문학시기，로신、릉숙화、려은작위최조관주녀성생존경우적작자，타문적필하도구륵출침수지중화량성지후저량충녀성형상，타문적“녀성서사”현시출“오사”시기남녀작가대우녀성생존경우언설적차이。대우침수지중녀성적서사，로신시종방관자적각도천술저문소조수적압박，릉숙화칙게로녀성령혼적잔약정도，려은주요묘사녀성대자신명운적무조감；대우량성후녀성적서사，로신시참재“인적해방”적립장상기대저문자립，릉숙화묘사녀성적생존지혜，려은칙착력부석녀성적정지충돌。타문적“녀성서사”대표료“오사”시기대녀성생존경우언설적시대적고도，병규파료은장재남녀평등적기치하녀성장요면림적신적곤경。
The starting point of liberation of Chinese women can be traced back to the New Culture Movement in the 1920s. As the first-generation writers of women 's life, Lu Xun, Ling Shuhua, Lu Yin all portrayed the sleeping women and the awaken, and yet their understanding of women in existential plight varied. In presenting the sleeping women, Lu Xun elaborated their suffering as an objective observer, Ling Shuhua tried to explore the emotional fragility of the tender soul, and Lu Yin focused on women’s helplessness for themselves. In portraying the awaken women, Lu Xun expected their independence from a position of personal liberation, Ling Shuhua described the women’s wisdom of survival, and Lu Yin labored on the conflict between emotion and intelligence of them. Their writing represented the height of women’s literature during that era, and glimpsed something of a new dilemma for women hidden under the banner of gender equality.