设计
設計
설계
SHEJI
2015年
7期
146-147
,共2页
意象%汉字%书法%视觉设计
意象%漢字%書法%視覺設計
의상%한자%서법%시각설계
Image%Chinese characters%Cal igraphy%Visual design
本文指出意象是中国传统的审美观念，汉字是意象审美观最典型的物化形态。通过对意象汉字视觉的分析和解读，认为汉字视觉艺术是中华民族意象文化的沉淀和精髓，是一种独具视觉识别特征的民族符号，以汉字为元素进行的现代视觉设计，能够体现出汉字的价值和意义。
本文指齣意象是中國傳統的審美觀唸，漢字是意象審美觀最典型的物化形態。通過對意象漢字視覺的分析和解讀，認為漢字視覺藝術是中華民族意象文化的沉澱和精髓，是一種獨具視覺識彆特徵的民族符號，以漢字為元素進行的現代視覺設計，能夠體現齣漢字的價值和意義。
본문지출의상시중국전통적심미관념，한자시의상심미관최전형적물화형태。통과대의상한자시각적분석화해독，인위한자시각예술시중화민족의상문화적침정화정수，시일충독구시각식별특정적민족부호，이한자위원소진행적현대시각설계，능구체현출한자적개치화의의。
The paper points out that the image is China's traditional aesthetic idea. Chinese characters are the most typical image aesthetics materialized form. Through the analysis and interpretation of the image of Chinese characters visual, the article believes that Chinese visual art essence is the precipitation and image of the Chinese culture and it is a kind of visual identification characteristics of national symbols. With Chinese characters as elements of modern visual design, it could reflect the value and significance of Chinese characters.
