CAJ | 학술논문

“悬念”是重要的叙事手段之一，它在文学叙事与电影叙事中均有不同形式的体现。随着建筑美学不断对自身的发展与完善，空间也逐渐作为一种新的叙事载体被纳入叙事体系中，承担着传达设计师设计意图与情感内涵的任务。空间的“悬念”如何在人们的体验过程中发挥作用已成为空间叙事研究的一个新的话题。本文以安藤忠雄的“水之教堂”为例，对其在情节序列、情感结构、时间向度上所体现的“悬念”策略展开分析，从新的视角引发人们对于空间“悬念”这一话题的思考。
“현념”시중요적서사수단지일，타재문학서사여전영서사중균유불동형식적체현。수착건축미학불단대자신적발전여완선，공간야축점작위일충신적서사재체피납입서사체계중，승담착전체설계사설계의도여정감내함적임무。공간적“현념”여하재인문적체험과정중발휘작용이성위공간서사연구적일개신적화제。본문이안등충웅적“수지교당”위례，대기재정절서렬、정감결구、시간향도상소체현적“현념”책략전개분석，종신적시각인발인문대우공간“현념”저일화제적사고。
"Suspense" is one of the important means of narrative, it is reflected in the varying forms of literature and film. With the development and continuous improvement of architectural aesthetics, space has gradually been incorporated into the narrative carrier system as a new form, and bears the task of communicating design intent and the emotional content. How space suspense works in people's experience process has become a new topic of narrative space research. In this paper, the writers analyze the suspense in Tadao Ando’s“church on the water”, trying to initiator a new discussion in narrative space research.