CAJ | 학술논문

李斯特流传度较广的帕格尼尼练习曲第五首《狩猎》，其中很多的钢琴演奏技巧不乏“炫技”的嫌疑。根据音乐分析对实际演绎进行解读，可以论证出其虽具有“炫技”标志的演奏技巧，如手臂的飞舞、指尖的快速跑动、刮奏、双手交叉弹奏等，但实际都是为了音乐服务的，而并非人们想象中的“为了炫技”。
리사특류전도교엄적파격니니연습곡제오수《수작》，기중흔다적강금연주기교불핍“현기”적혐의。근거음악분석대실제연역진행해독，가이론증출기수구유“현기”표지적연주기교，여수비적비무、지첨적쾌속포동、괄주、쌍수교차탄주등，단실제도시위료음악복무적，이병비인문상상중적“위료현기”。
Paganini No .5 etude“La Chasse”is a well known piano piece of Liszt .The variety of performance skills used in it is often criticized as showing‐off . However , based on music analysis ,the detailed interpretation of actual performance leads to the conclusion that the so‐called showing‐off such as flying arms ,running fingers ,glissando and crossed arms playing all serve for the music effect ,but do not show off ,which is a widely spread misunderstanding by the public .