CAJ | 학술논문

中国音乐剧在世界文化一体化的过程中，通过不断的文化交流和文化趋同，开始对本土身份进行自我确认，原创音乐就是其自我身份确认的重要表现。中国音乐剧在发展过程中经历了照搬———汉化———原创的历程，在处理本土化和国际化、改编和原创的过程中，对音乐主题的把握、艺术和市场的关系、音乐剧的工业化趋向以及多种艺术元素的综合等方面还存在许多需要重新认识和探究的问题，这也是本土原创音乐剧这种“新的艺术样式”能够展示它的文化特性必须面对的问题。
중국음악극재세계문화일체화적과정중，통과불단적문화교류화문화추동，개시대본토신빈진행자아학인，원창음악취시기자아신빈학인적중요표현。중국음악극재발전과정중경력료조반———한화———원창적역정，재처리본토화화국제화、개편화원창적과정중，대음악주제적파악、예술화시장적관계、음악극적공업화추향이급다충예술원소적종합등방면환존재허다수요중신인식화탐구적문제，저야시본토원창음악극저충“신적예술양식”능구전시타적문화특성필수면대적문제。
In the global process of world culture and through unceasing cultural communication and convergence,Chinese musicals start their self-affirmation of local identity,in which original music is one important expression.In the development process,Chinese musicals go through indiscriminate imitation,Si-nicizaion and originality.In the process of dealing with localization and internationalization,and adaptability and originality,there are a number of new understandings and problems in the grasp of musical themes,the relationship between art and market,industrialized tendency of musicals,and the integration of diversified artistic elements.They are also the problems which Chinese original musicals,this new pattern of art,have to face when their cultural features can be shown.