铜仁学院学报
銅仁學院學報
동인학원학보
JOURNAL OF TONGREN UNIVERSITY
2015年
2期
163-165
,共3页
传统素描%创意素描%教学内容%教学实践
傳統素描%創意素描%教學內容%教學實踐
전통소묘%창의소묘%교학내용%교학실천
Traditional sketch%Original sketch%Teaching content%Teaching practice
从传统基础素描教学不再适合地方高校本科教学；多元化艺术的发展，素描成为了一门独立的造型艺术；考前培训模式对基础素描教学产生的负面影响三个方面探讨了基础素描教学改革的必要性，并在此基础上探索基础素描教学内容、方法的改革。
從傳統基礎素描教學不再適閤地方高校本科教學；多元化藝術的髮展，素描成為瞭一門獨立的造型藝術；攷前培訓模式對基礎素描教學產生的負麵影響三箇方麵探討瞭基礎素描教學改革的必要性，併在此基礎上探索基礎素描教學內容、方法的改革。
종전통기출소묘교학불재괄합지방고교본과교학；다원화예술적발전，소묘성위료일문독립적조형예술；고전배훈모식대기출소묘교학산생적부면영향삼개방면탐토료기출소묘교학개혁적필요성，병재차기출상탐색기출소묘교학내용、방법적개혁。
The necessity of basic sketch teaching reform is discussed from three aspects. First, traditional basic sketch no longer fits the teaching for undergraduate students in local universities. Second, sketch has become an independent plastic art with the diversified development of artistic forms. Third, the pre-examination training mode has had negative effects on basic sketch teaching. Based on this, the teaching content and method are also explored.
