铜仁学院学报
銅仁學院學報
동인학원학보
JOURNAL OF TONGREN UNIVERSITY
2015年
2期
17-20
,共4页
笔墨%合一%材料%意蕴%石涛
筆墨%閤一%材料%意蘊%石濤
필묵%합일%재료%의온%석도
brush and ink%unification%material%implications%Shitao
文人画最强调“笔墨”，“笔墨”概念的成熟是有发展过程的，既有技法层面的涵义，又有哲学内蕴的特质。这种状况的出现奠定了文人画在世界艺术史上的地位。因此，梳理其发展过程，分析其形而上的意蕴，是全面深入了解“笔墨”这一中国画代名词的必要功夫。
文人畫最彊調“筆墨”，“筆墨”概唸的成熟是有髮展過程的，既有技法層麵的涵義，又有哲學內蘊的特質。這種狀況的齣現奠定瞭文人畫在世界藝術史上的地位。因此，梳理其髮展過程，分析其形而上的意蘊，是全麵深入瞭解“筆墨”這一中國畫代名詞的必要功伕。
문인화최강조“필묵”，“필묵”개념적성숙시유발전과정적，기유기법층면적함의，우유철학내온적특질。저충상황적출현전정료문인화재세계예술사상적지위。인차，소리기발전과정，분석기형이상적의온，시전면심입료해“필묵”저일중국화대명사적필요공부。
Literati paintings particularly emphasize the “Brush and Ink”, the maturity of whose concepts is a process of development embodying the connotation both technically and philosophically. This situation establishes literati paintings’ position in the art history of the world. Therefore, analyzing the developing process and the implications are necessary to understand the “brush and ink” comprehensively and thoroughly, which is an alternative noun of Chinese painting.
