丽水学院学报
麗水學院學報
려수학원학보
JOURNAL OF LISHUI UNIVERSITY
2015年
3期
71-76
,共6页
中西方摄影%当代摄影%艺术摄影%摄影观念
中西方攝影%噹代攝影%藝術攝影%攝影觀唸
중서방섭영%당대섭영%예술섭영%섭영관념
Chinese and westerm photography%contemporary photography%art photography%concept of photography
对艺术摄影的内涵进行解读,并将中西方的当代艺术摄影在“20世纪中后期”和“20世纪末至今”这两个时段的创作观念作了对比研究,探寻其发展变化的共通之处以及各自特点。结合现代数字摄影技术的发展,更加深层次地挖掘出存在于当代艺术摄影光影中的不灭灵魂。
對藝術攝影的內涵進行解讀,併將中西方的噹代藝術攝影在“20世紀中後期”和“20世紀末至今”這兩箇時段的創作觀唸作瞭對比研究,探尋其髮展變化的共通之處以及各自特點。結閤現代數字攝影技術的髮展,更加深層次地挖掘齣存在于噹代藝術攝影光影中的不滅靈魂。
대예술섭영적내함진행해독,병장중서방적당대예술섭영재“20세기중후기”화“20세기말지금”저량개시단적창작관념작료대비연구,탐심기발전변화적공통지처이급각자특점。결합현대수자섭영기술적발전,경가심층차지알굴출존재우당대예술섭영광영중적불멸령혼。
To interpret art photography and conduct a contrastive study between Chinese and western conception of art photography of the middle and later period of the 20th century as well as the period extending from the end of the 20th century,the commonalities and unique features of the two are explored. Based on the development of the modern digital photography technology,the attempt is made by the author to reach an in-depth disclosure of the immortal soul alive in the light and shadow of contemporary art photography.