CAJ | 학술논문

华裔作家赵健秀（Frank Chin）在其后现代小说《杜老鸭》（Donald Duk）中，艺术地移植了儒学的“天命观”，并以此为伦理基础塑造杜老鸭这个崇尚血性和复仇的华裔文化英雄形象。本文借鉴萨义德的旅行理论，分析儒家的“天命观”思想如何随中国经典“旅行”到美国，并在美国东方主义的历史语境下，如何成为赵健秀在小说中阐释为其反叛伦理的基础，并以此重构他心目中理想的华裔身份和形象。
화예작가조건수（Frank Chin）재기후현대소설《두로압》（Donald Duk）중，예술지이식료유학적“천명관”，병이차위윤리기출소조두로압저개숭상혈성화복구적화예문화영웅형상。본문차감살의덕적여행이론，분석유가적“천명관”사상여하수중국경전“여행”도미국，병재미국동방주의적역사어경하，여하성위조건수재소설중천석위기반반윤리적기출，병이차중구타심목중이상적화예신빈화형상。
Frank Chin in his postmodern novel Donald Duk artistically transplants the Confucian concept of the mandate of heaven, and uses it as a pure ethical principle for his creation of Donald Duk, a Chinese A-merican cultural hero of revenge.In light of Said’ s traveling theory, this paper analyzes in what manner the Confucian concept of the mandate of heaven travels with the Chinese classics in the historical context of Ameri-can Orientalism, and how Chin reinterprets the mandate as the ethical code of private revenge so as to recon-struct the ideal cultural identity and image for Chinese Americans.