CAJ | 학술논문

电影《巴别塔》是其导演亚利桑德罗的一大力作。影片中所有的人物，不论是在摩洛哥等待救援的受伤的美国游客、与父亲一同生活在东京的聋哑日本少女，还是北美荒原中惊慌失措的墨西哥保姆都是生活在纷争年代的人们的真实写照。传说中的巴别塔象征着人类的团结，而人类心目中的上帝所在的天堂是人类理解与沟通的最终目的。但是在语言已经不再是交流的障碍、人与人之间的联系也越来越密切的全球化的今天，即便是拥有相同文化、相同信念的人们之间的沟通却越来越困难。
전영《파별탑》시기도연아리상덕라적일대력작。영편중소유적인물，불론시재마락가등대구원적수상적미국유객、여부친일동생활재동경적롱아일본소녀，환시북미황원중량황실조적묵서가보모도시생활재분쟁년대적인문적진실사조。전설중적파별탑상정착인류적단결，이인류심목중적상제소재적천당시인류리해여구통적최종목적。단시재어언이경불재시교류적장애、인여인지간적련계야월래월밀절적전구화적금천，즉편시옹유상동문화、상동신념적인문지간적구통각월래월곤난。
Babel was another smash hit of its director Alejandro. All the characters in the film, the wounded American tourist who was waiting for rescue in Morocco, the Japanese father and daughter in luminous Tokyo, or the panic and freaked Mexican babysit?ter in the wasteland in North America, were a true portrayal of people in times of trouble. It seems that people today are trying to create a Bable, a Bable of globalization, in which communicating becomes more and more difficult while languages are no longer obstacles.