CAJ | 학술논문

莎菲的苦闷和感伤，在19世纪20年代末的时代背景下，意味深长：一方面，其切合了“五四”退潮后的青年情绪，使得时间现场后移；另一方面，在左翼文学兴起前的时代，莎菲却并无革命的激情。从现代性开端的时空点来看，莎菲的反对自己和最终逃离之举，正是其追寻爱与美的结果。这导致了其爱的迷狂。
사비적고민화감상，재19세기20년대말적시대배경하，의미심장：일방면，기절합료“오사”퇴조후적청년정서，사득시간현장후이；령일방면，재좌익문학흥기전적시대，사비각병무혁명적격정。종현대성개단적시공점래간，사비적반대자기화최종도리지거，정시기추심애여미적결과。저도치료기애적미광。
Safi’s boredom and sadness appear to be meaningful in the late 1920’s background.On one hand,in line with the youth’s mood after “May 4th”movement,makes the scene after the shift.On the other hand,in the era before the rise of the left wing literature,Safi has no revolutionary enthusiasm.From the point of view in the beginning of modernity,Safi’s opposition to himself and the ultimate escape from the move is the result of his pursuit of love and beauty,which leads to the madness of love.