CAJ | 학술논문

中国古代文人大多从个体的身体和生命体验出发，俯仰天地、远近皆取，这是其文学构思的基本途径。从“柔肠百结”的委婉细腻之情，到“愁肠千回”的自怜自哀，再到“肝肠寸断”的悲剧意识，在诗词的创作中，诗人以小见大，以我及物，演绎着中国诗词特有的生命情怀和抒情技巧。“柔肠寸断”作为抒情客体的偶然性发现，成为词学艺术王国的一朵精美浪花。
중국고대문인대다종개체적신체화생명체험출발，부앙천지、원근개취，저시기문학구사적기본도경。종“유장백결”적위완세니지정，도“수장천회”적자령자애，재도“간장촌단”적비극의식，재시사적창작중，시인이소견대，이아급물，연역착중국시사특유적생명정부화서정기교。“유장촌단”작위서정객체적우연성발현，성위사학예술왕국적일타정미랑화。
The Chinese ancient scholars mostly departed from the body and life experience of the individual, ran-ging from heaven to earth, which is the basic way of literary creation.From the “heart-knot” of delicate eu-phemism to the“self-pitying sorrow-heart, to the “deeply grieved” tragic consciousness, the poets’ deduc-tion of unique feelings and emotional skills in their poetic creation embodies unique life emotions and lyric skills of Chinese poetry.As an accidental discovery of lyrical objects,“soft-heart in grief” has became a fine spray of the kingdom of Ci art.