CAJ | 학술논문

当前有些山水画家的创作出现与传统哲学思想相分离的倾向，画作以照像写实的手法描摹山、水、树、屋等，显示出画家对中国山水画的精髓即哲学思想研究甚少。中国山水画经过漫长发展，不断丰富和完善，在形成和发展的过程中无不体现着中国传统哲学思想即道学。通过揭示早期山水画的艺术本质特征，使山水画家从“艺与道合”、“澄怀观道”、“含道映物”的独特审美理念中得到启悟，从而领会山水画的最高境界是心象与自然的高度合一，以此使当代山水画在正确的轨道上发展。
당전유사산수화가적창작출현여전통철학사상상분리적경향，화작이조상사실적수법묘모산、수、수、옥등，현시출화가대중국산수화적정수즉철학사상연구심소。중국산수화경과만장발전，불단봉부화완선，재형성화발전적과정중무불체현착중국전통철학사상즉도학。통과게시조기산수화적예술본질특정，사산수화가종“예여도합”、“징부관도”、“함도영물”적독특심미이념중득도계오，종이령회산수화적최고경계시심상여자연적고도합일，이차사당대산수화재정학적궤도상발전。
Currently ,the works of some landscape painters tend to separate from traditional philosophy because they use photographic and realistic technique to depict mountains ,rivers ,trees ,houses ,etc ,which suggests the lack of painters’ study on the essence of Chinese landscape paintings ,i .e .philosophic thoughts .With a long development of Chinese landscape paintings ,they constantly enriched and improved and Chinese traditional philosophy-Taoism embodies in them in the process of the formation and development .By revealing the artistic nature of early landscape paintings , painters can be enlightened by unique aesthetic ideas of“the uniformity of the art and Taoism ,”“the enlightment of Tao-ism with a pure mind” and“the embodiment of Taosim with an image” .Thus ,the highest level of landscape paintings can be enlightened with mental image and nature as one and with this understanding ,contemporary landscape paintings will develop in a correct way .