CAJ | 학술논문

日本小说灾难书写存在两种模式，一是直击灾难，二是以灾难作为背景。前者并不常见，小松左京《日本沉没》着力展示人与自然的矛盾，是典型的直击灾难；后者以村上春树短篇小说集《神的孩子全跳舞》为代表，刻画了灾难中的人与自身的矛盾，比较符合主流日本小说的特色。文章以小松左京和春上村树的创作为考察对象，结合日本国民性格中的“矛盾”与“暧昧”特质对这两种模式的特色及成因进行深入剖析。
일본소설재난서사존재량충모식，일시직격재난，이시이재난작위배경。전자병불상견，소송좌경《일본침몰》착력전시인여자연적모순，시전형적직격재난；후자이촌상춘수단편소설집《신적해자전도무》위대표，각화료재난중적인여자신적모순，비교부합주류일본소설적특색。문장이소송좌경화춘상촌수적창작위고찰대상，결합일본국민성격중적“모순”여“애매”특질대저량충모식적특색급성인진행심입부석。
There are two kinds of model about disaster writing of Japanese novels ,One is writes disaster directly ,the other is writes disaster as the background .The former is not common ,komatsu Sakyo’ s novel Nihon Chinbotsu focus on display the contradiction between man and nature which is a typical disaster writing ;the latter take Haruki Murakami collection of short sto‐ries kami no kodomo tachi wa mina odoru as a representative ,depict the contradiction between people and themselves in the disas‐ter which conform to the features of the mainstream Japanese novels .This article based on the creation by komatsu Sakyo and Haruki Murakami as the investigation object ,combined with “contradiction” and “ambiguous” of Japanese national character to an‐alyze the characteristics and the causes of these two kinds of model .