CAJ | 학술논문

现代化是一个重新解释传统的过程，武术表演作为武术现代化的产物，是对中国武术文化再生产的过程。运用文献资料、对比分析等方法，在传统向现代转型的大背景下，从武术运动员与武术演员的身份比较，武术“打”与“演”的艺术纠结以及武术表演与大众体验的真假之辨三方面的解读。研究得出武术表演中表演者对于中国武术文化的身份再生产、武术表演舞台对于中国武术文化空间再生产以及武术表演中观众对于生活武术的再生产。
현대화시일개중신해석전통적과정，무술표연작위무술현대화적산물，시대중국무술문화재생산적과정。운용문헌자료、대비분석등방법，재전통향현대전형적대배경하，종무술운동원여무술연원적신빈비교，무술“타”여“연”적예술규결이급무술표연여대음체험적진가지변삼방면적해독。연구득출무술표연중표연자대우중국무술문화적신빈재생산、무술표연무태대우중국무술문화공간재생산이급무술표연중관음대우생활무술적재생산。
Modernization is a process of reinterpretation of tradition.Wushu performance,as a product of Wushu modernization,is also a process of reproduction of Chinese Wushu Culture. This paper,based on the overall background of modernization and by applying the methods of literature analysis and comparative analysis,has clarified the three aspects of Wushu culture, including: the identity comparison between Wushu actor and Wushu player, the art entanglement of "fight"and "performance"and the relationship of people's life and Wushu performance.In addition,this paper has sorted out the reproduction of Wushu identity by Wushu actor in Wushu performance, the reproduction of Wushu culture space in the performance stage and the reproduction of Wushu culture in people's lives by the audience in the Wushu performance.