搏击·武术科学
搏擊·武術科學
박격·무술과학
WUSHU SCIENCE
2015年
6期
25-26
,共2页
影视作品%武术家%英雄化%塑造
影視作品%武術傢%英雄化%塑造
영시작품%무술가%영웅화%소조
The film and television works%Wushu artist%Heroic%Shaping
文章运用文献资料法和逻辑分析法,从社会学的角度探讨影视作品中近代武术家的英雄化塑造。作为艺术作品,人物和故事必然存在改编的现象,而观众却能够接受这种被改写的历史。究其原因,影视作品满足了社会整合的国家逻辑、利益最大化的市场逻辑、寻求安全的社会逻辑。
文章運用文獻資料法和邏輯分析法,從社會學的角度探討影視作品中近代武術傢的英雄化塑造。作為藝術作品,人物和故事必然存在改編的現象,而觀衆卻能夠接受這種被改寫的歷史。究其原因,影視作品滿足瞭社會整閤的國傢邏輯、利益最大化的市場邏輯、尋求安全的社會邏輯。
문장운용문헌자료법화라집분석법,종사회학적각도탐토영시작품중근대무술가적영웅화소조。작위예술작품,인물화고사필연존재개편적현상,이관음각능구접수저충피개사적역사。구기원인,영시작품만족료사회정합적국가라집、이익최대화적시장라집、심구안전적사회라집。
Using the methods of literature review and logical analysis, the thesis discusses modern Wushu artist heroic shaping on the film and television works from the view of sociology. As a work of art, the characters and story adaptation is inevitable phenomenon. However, the audience can accept this rewritten history. The reason is that, the film and television works meet the logic of social integration, maximizing the benefits and seeking safety.