CAJ | 학술논문

以饕餮纹为例，思考中西平面设计形式的异同，及其两者碰撞后所激发的对中国传统纹饰在现代化图形转换之中的设计新思维。主要以中国传统饕餮纹的现代化转换为研究目的，以西方现代平面设计大师乌韦?勒斯和波普艺术大师安迪?沃霍尔的平面设计作品的构成方式为参照，借助乌韦?勒斯的平面表达空间的形式语言和安迪?沃霍尔视觉色彩的形式表达，对中国传统饕餮纹实现现代化图形的转换作可行性分析，探索中国传统纹饰转换为现代化图形的设计方法，以突破以往传统纹饰和现代化图形不相容的固有思维，实现对传统纹饰进行现代化图形转换的新理解，显示年轻一代人对于传统纹饰在精神方面所得到的新的领悟。
이도철문위례，사고중서평면설계형식적이동，급기량자팽당후소격발적대중국전통문식재현대화도형전환지중적설계신사유。주요이중국전통도철문적현대화전환위연구목적，이서방현대평면설계대사오위?륵사화파보예술대사안적?옥곽이적평면설계작품적구성방식위삼조，차조오위?륵사적평면표체공간적형식어언화안적?옥곽이시각색채적형식표체，대중국전통도철문실현현대화도형적전환작가행성분석，탐색중국전통문식전환위현대화도형적설계방법，이돌파이왕전통문식화현대화도형불상용적고유사유，실현대전통문식진행현대화도형전환적신리해，현시년경일대인대우전통문식재정신방면소득도적신적령오。
The paper takes Taotie pattern as example to study the differences and similarities of Chinese and Western graphic designs and the stimulation of the collision of the two to the new ideas of Chinese traditional pattern design in the transformation process of modern graphic forms. It aims at researching the transformation of Chinese traditional Taotie pattern to modern forms. With the reference of graphic design works of Uwe Loesch, the western modern graphic design master, Andy Warhol, the POP art master, and their graphic space expression and visual color expression respectively, the paper analyzes the feasibility of the modern transformation of Taotie pattern. With the analysis, the paper explores the transformation approach to outbreak the inherent thought of traditional pattern is incompatible with modern forms. The paper truly presents a new perspective on the transformation of traditional patterns to modern arts and it is a brand new spirit comprehension of the traditional patterns for the young generation.