CAJ | 학술논문

以明清戏曲小说版刻插图为研究对象，从作为印刷术的版刻插图、作为制图术的版刻插图两大层面进行了设计学阐释。认为这些版刻插图，以充满设计感的园林艺术营造效果图的方式，直观感性地介入了当时造园艺术实践者的“图像式设计创意思维”，并极有可能成为一种独特参照物即刻画细致并凝结着浓郁文学品味的“造园设计图稿”。
이명청희곡소설판각삽도위연구대상，종작위인쇄술적판각삽도、작위제도술적판각삽도량대층면진행료설계학천석。인위저사판각삽도，이충만설계감적완림예술영조효과도적방식，직관감성지개입료당시조완예술실천자적“도상식설계창의사유”，병겁유가능성위일충독특삼조물즉각화세치병응결착농욱문학품미적“조완설계도고”。
Taking engraved illustration of opera novels in Ming and Qing dynasties as the research object, design interpretation has been carried on from two aspects about the engraved illustration as printing and draftsmanship. The author thinks that in the way of landscape art which is iflled with sense of design building design sketch, these engraved illustration intervened the"image-cued design and creative thinking" of gardening art practitioners at that time intuitively and emotionally. And they are very likely to become "landscape design drawings"which have unique references and with meticulous description and stained with rich literary taste.