华文文学
華文文學
화문문학
CHINESE LITERATURE
2015年
3期
104-110
,共7页
《时光当铺》%青年文化%北美华人移民史%理想主义
《時光噹鋪》%青年文化%北美華人移民史%理想主義
《시광당포》%청년문화%북미화인이민사%이상주의
Pawn%a culture of youth%the history of Chinese migrants to North America%idealism
音乐剧《时光当铺》（2011）具有鲜明的理想主义特质，这源于剧作者曹禅对北美华人移民史的深刻反思，以及对当代中美对话关系现状的建构性把握。以介入现实、改写未来的自觉意识正视历史，曹禅的戏剧创作不仅是当代美国华裔文学批评精神的跨国传承，也是当前青年一代要求在“全球化”时代有所作为的先锋之声。
音樂劇《時光噹鋪》（2011）具有鮮明的理想主義特質，這源于劇作者曹禪對北美華人移民史的深刻反思，以及對噹代中美對話關繫現狀的建構性把握。以介入現實、改寫未來的自覺意識正視歷史，曹禪的戲劇創作不僅是噹代美國華裔文學批評精神的跨國傳承，也是噹前青年一代要求在“全毬化”時代有所作為的先鋒之聲。
음악극《시광당포》（2011）구유선명적이상주의특질，저원우극작자조선대북미화인이민사적심각반사，이급대당대중미대화관계현상적건구성파악。이개입현실、개사미래적자각의식정시역사，조선적희극창작불부시당대미국화예문학비평정신적과국전승，야시당전청년일대요구재“전구화”시대유소작위적선봉지성。
Pawn, a musical(2011), is vividly characterized by its idealism because of Karmia Chan Cao, its playwright’s profound reflections upon the history of Chinese migrants to North America and her mastery of the construction of the situation involving the relationship of dialogues between China and America. Chan Cao’s play, self-consciously confronting the history by intervening in the reality and re-writing the future, is not only a transnational inheritance of the critical spirit in Ameri-can-Chinese literature but also a voice of the avant-garde by the younger generation who want to play a role in the age of“globalization”.
