CAJ | 학술논문

随着城市建设和城乡一体化进程的加速，在全球化的浪潮中保持本土特色而又不失现代性的景观日益引起人们的关注。方塔园融古典于现代，丰富乡土的含义，在本土文化的时代局限中注入了现代主义的全新含义，是现代中国本土景观营造史上最早、最典型的案例代表。对比国内外学者对本土景观与乡土景观理解的异同，从批判的现代性、场所精神、建构3方面分析方塔园的本土意象，最后结合当代本土景观、建筑中的典型案例，分析并总结本土景观现代化转型的基本对策。
수착성시건설화성향일체화진정적가속，재전구화적랑조중보지본토특색이우불실현대성적경관일익인기인문적관주。방탑완융고전우현대，봉부향토적함의，재본토문화적시대국한중주입료현대주의적전신함의，시현대중국본토경관영조사상최조、최전형적안례대표。대비국내외학자대본토경관여향토경관리해적이동，종비판적현대성、장소정신、건구3방면분석방탑완적본토의상，최후결합당대본토경관、건축중적전형안례，분석병총결본토경관현대화전형적기본대책。
With the acceleration of city construction and urban-rural integration, the landscape architecture with both Chinese local characteristics and modern features has increasingly attracted public attention in the wave of globalization. The Square Pagoda Garden roots in tradition but goes beyond it, and integrates with modernity. It enriches the local culture and gives a new modernist meaning in the time limit of local culture. The Square Pagoda Garden is the earliest and most representative case throughout the history of local landscape design in modern China. In this article we compared the Chinese and foreign scholars’ understanding of the local landscape and vernacular landscape, then we proposed three basic elements of the local landscape: a critical review of modernity, the culture nutrients based on the local culture, and construction with expanding realities. Then the local imagery of the Square Pagoda Garden is analyzed from three aspects: criticism of modernity, spirit of place, and tectonics. Finally, by analyzing typical design cases of contemporary local landscape and architecture, we summed up the basic strategies for the modernist transformation of local landscape.