CAJ | 학술논문

从精神分析视角出发，运用拉康关于镜像阶段、他者和欲望的相关理论，分析《爱玛》中的哈丽埃特，她之所以深受爱玛的影响，是因为自我从根本上说是个他者，自我借助于他者而被建构、依赖于他者而存在，爱玛是哈丽埃特的理想自我，她迫切地同爱玛进行认同，渴望得到爱玛的承认。哈丽埃特的欲望也是爱玛这个他者的欲望，是希望得到爱玛认可的欲望，也是欲望爱玛欲望的对象的欲望。
종정신분석시각출발，운용랍강관우경상계단、타자화욕망적상관이론，분석《애마》중적합려애특，저지소이심수애마적영향，시인위자아종근본상설시개타자，자아차조우타자이피건구、의뢰우타자이존재，애마시합려애특적이상자아，저박절지동애마진행인동，갈망득도애마적승인。합려애특적욕망야시애마저개타자적욕망，시희망득도애마인가적욕망，야시욕망애마욕망적대상적욕망。
By applying Lacanˊs theory of the mirror stage,other and desire,this article presents a psychoanalytic reading of the character Harriet in Emma. The psychological motivation of Harrietˊs proneness to Emmaˊs overwhelming influence is that the ego is fundamentally an〝other〝 in the sense that it is constructed with the necessary intervention of〝other〝 and is dependent on 〝other〝. Emma is actually the ideal-ego of Harriet,and the latter is eager to identify with and to gain recognition by the former. Harrietˊs desire,in essence,is Emmaˊs desire inasmuch as her desire is the desire of being recognized by Emma and is to desire the object of Emmaˊs desire.