CAJ | 학술논문

电影是一门艺术，也是一门语言。电影修辞能在很大程度上体现电影导演的主体意识和审美品位，彰显电影导演的风格。英国导演史蒂芬·戴德利虽然至今只有四部电影长片，但每部影片都获得了奥斯卡最佳影片奖以及奥斯卡最佳导演奖的提名，足见其导演功力的深厚。借助史蒂芬·戴德利的影片，从电影的主体、画面和声音等方面对隐喻、色彩渲染、声音暗示等手法的运用，来分析电影的修辞手法。
전영시일문예술，야시일문어언。전영수사능재흔대정도상체현전영도연적주체의식화심미품위，창현전영도연적풍격。영국도연사체분·대덕리수연지금지유사부전영장편，단매부영편도획득료오사잡최가영편장이급오사잡최가도연장적제명，족견기도연공력적심후。차조사체분·대덕리적영편，종전영적주체、화면화성음등방면대은유、색채선염、성음암시등수법적운용，래분석전영적수사수법。
Film is an art as well as a language.Movie rhetoric can largely reflect the consciousness and aes-thetic taste of the filmmaker,highlighting the style of the filmmaker.While Daldry·Stephen,a British direc-tor has so far produced only 4 movies,all his movies have been nominated for an Academy Award for either Best Picture or Best Director Academy Award,which shows his profound skills and knowledge in directing movies.The article analyzes the use of movie rhetoric styles of metaphor,color rendering and sound hint in such aspects as subject of the film,the picture and sound by referring to Daldry·Stephen’s movies.