CAJ | 학술논문

余华的小说从来都不回避现实，他常常以夸张、荒诞的方式展开对日常生活的叙述，从《兄弟》到《第七天》，作家游走在虚构和现实之间，逐步寻求从表现的真实到艺术的真实。在《第七天》中，通过对现实的想象性重建、艺术荒诞和真实荒诞的二重奏展现了一幅独特的现实与虚构交叉景观，实现了以虚构抵达现实，具有了更强烈的现实批判力度。
여화적소설종래도불회피현실，타상상이과장、황탄적방식전개대일상생활적서술，종《형제》도《제칠천》，작가유주재허구화현실지간，축보심구종표현적진실도예술적진실。재《제칠천》중，통과대현실적상상성중건、예술황탄화진실황탄적이중주전현료일폭독특적현실여허구교차경관，실현료이허구저체현실，구유료경강렬적현실비판력도。
Yu Hua’s fiction never evades reality,he often uses the exaggerated,absurd way to narrate the daily life. From Brother to The Seventh Day,he wanders between reality and fiction,gradually seeking from the truth in performance to the truth in art. In The Seventh Day,which bases on the imaginative reconstruction of the reality,he displays a unique landscape of reality by mix of fantastic art and real fantastic,making fiction to reality and achieving more strongly critical strength.