CAJ | 학술논문

萨缪尔·贝克特的文学作品以战后的西方世界和人类的生存状态为思考主题、描述对象和书写内容，体现了对人生苦难的倾诉、对社会现实的批判和对生活希望的祈求。他用荒诞揭示战争的灾难，用心灵书写记忆的创伤，用等待表达生命的抗争。他的小说长篇“三部曲”搭起了“死胡同”，荒诞派戏剧又帮助他走出了“死胡同”，从而成功实现了两种不同文类的转化，终于摆脱小说实验“山穷水尽”的悲凉困境，迎来戏剧创新“柳暗花明”的美好前程。
살무이·패극특적문학작품이전후적서방세계화인류적생존상태위사고주제、묘술대상화서사내용，체현료대인생고난적경소、대사회현실적비판화대생활희망적기구。타용황탄게시전쟁적재난，용심령서사기억적창상，용등대표체생명적항쟁。타적소설장편“삼부곡”탑기료“사호동”，황탄파희극우방조타주출료“사호동”，종이성공실현료량충불동문류적전화，종우파탈소설실험“산궁수진”적비량곤경，영래희극창신“류암화명”적미호전정。
Samuel Beckett's literary works ,taking the postwar Western world and the human living conditions as the theme of consideration ,the object of description and the content of w riting ,embody the vent for the suffering of life ,a cri‐tique of social reality and the hope of life .He discloses the disaster of war in absurdity ,writes the trauma of memory with the mind and expresses the struggle of life by waiting .His full‐length novel“trilogies”set up the“dead end” ,while his dra‐ma helped him go out of it ,by which he successfully realized the conversion of two different literary genres ,finally has got rid of the insoluble dilemma of novel experiment and ushered in the bright future of drama innovation .