CAJ | 학술논문

印度佛教自汉代传入中国以来，佛教文化从内容题材、技法形式等各方面影响了中国绘画几个世纪，从最初克孜尔的猿猴绘画中西域画风的渗入，到外来风格与本土风格在经历了魏晋的初兴、南北朝的发展、隋唐的鼎盛后与中国本土文化同存并相互融合，从而改变了佛教艺术的本来面貌，又使中国绘画有了新的发展。
인도불교자한대전입중국이래，불교문화종내용제재、기법형식등각방면영향료중국회화궤개세기，종최초극자이적원후회화중서역화풍적삼입，도외래풍격여본토풍격재경력료위진적초흥、남북조적발전、수당적정성후여중국본토문화동존병상호융합，종이개변료불교예술적본래면모，우사중국회화유료신적발전。
Indian Buddhism was introduced to China since Han Dynasty. Buddhism culture has influence on Chinese painting in different aspects such as the content, skills and so on. It ranges from the influence of Western region painting style on monkey painting in Kizil to the combination between foreign style and lo-cal style all through Wei Dynasty, Jin Dynasty, the Northern and Southern Dynasties till the prosperous Sui and Tang Dynasties, which has changed the original style of Buddhism art and added some new things to Chinese painting style.