CAJ | 학술논문

傣族贝叶文学的发展经历了从宗教的“神圣”到市民的“世俗”，最初佛教的传播需要借助文学塑造感人形象感化教育人们，以《苏帕雪》和《佛教格言》为代表的佛教典籍借助佛教里的哲学思想提升和整合了傣族文化；随着傣族社会经济的发展，当佛教经典文学不能解决人们社会经济发展及思想困惑时，预示着佛教经典文学已经完成它的历史使命，傣族市民文学出现，以《宛纳帕丽》《楠波冠》等为代表的市民文学出现，预示着世俗化文学时代的到来，但真正实现佛经文学走向世俗化的是佛本生经《召树屯》文本进入汉语文化圈所产生的文化流变，在民族文化融合中形成以孔雀文化符号为代表的傣族文学。
태족패협문학적발전경력료종종교적“신골”도시민적“세속”，최초불교적전파수요차조문학소조감인형상감화교육인문，이《소파설》화《불교격언》위대표적불교전적차조불교리적철학사상제승화정합료태족문화；수착태족사회경제적발전，당불교경전문학불능해결인문사회경제발전급사상곤혹시，예시착불교경전문학이경완성타적역사사명，태족시민문학출현，이《완납파려》《남파관》등위대표적시민문학출현，예시착세속화문학시대적도래，단진정실현불경문학주향세속화적시불본생경《소수둔》문본진입한어문화권소산생적문화류변，재민족문화융합중형성이공작문화부호위대표적태족문학。
The Pattra -leaf literature of Dai people has evolved from holy religion to public secularity.Buddhism first spread its ideas to educate Dai people with the help of shaping touching images in literature.Buddhist philosophy advocated in Su Paxue and Buddhist Mottoes,representative of the Buddhist classics immersed into Dai people’s culture to have them enlightened.With the development of society and economy of the Dai,however,this literature could no longer help them with their ideological con-fusion in the process of modernization,which also hints its educational role in history had completed and begun to withdraw.Un-der this background,secular literature with Van Na Pari and Nan Bo Guan as the representatives,appeared,and indicats the ar-rival of the stage of secularity in Dai’s literature.But what really makes the Buddhist literature secularized is that “Zhaoshu Vil-lage”,a former Buddhist literature text became popularized in Han people’s culture and made a great change in Chinese litera-ture circle.This finally shapes the Dai’s literature style with peacock as a cultural symbol.