CAJ | 학술논문

作为物质“形象”的第一层面被人们所感知的“物象”是不依赖于人之意识的客观存在。基于对传统村落人文物象的实证研究，认为其能够体现系统的传统造物文化思想，将其概括为“规则、参照、功能与技术、核心”四个层面，并从中揭示了“天、地、人、物”之间的关系，进一步阐释了造物文化思想对传统村落人文物象具有的现代启示。
작위물질“형상”적제일층면피인문소감지적“물상”시불의뢰우인지의식적객관존재。기우대전통촌락인문물상적실증연구，인위기능구체현계통적전통조물문화사상，장기개괄위“규칙、삼조、공능여기술、핵심”사개층면，병종중게시료“천、지、인、물”지간적관계，진일보천석료조물문화사상대전통촌락인문물상구유적현대계시。
“Image”perceived by people as the first level of“obj ects image”,is independent of the obj ec-tive existence of consciousness.Based on the investigation of humanistic images in traditional villages,we believe that images can reflect systematic creation culture thought which could be summarized in four lev-els:“rules,reference,function and technology,core”,and we reveal the relationship among “environ-ment,people and objects”.Finally,we further explain the modern inspiration of creational culture thought to humanistic images in traditional villages.