CAJ | 학술논문

作为视觉文化概念的最早提出者，巴拉兹是从精神可见性的角度来提出其视觉文化概念的，其视觉文化范型不是“可见的人”，而是“可见的精神”。这一范型触及视觉文化发展的诸多深层次问题，具有先见之明，但因时代和个人局限，它存在诸多不足之处，主要是过于强调视觉文化的政治意识形态属性。
작위시각문화개념적최조제출자，파랍자시종정신가견성적각도래제출기시각문화개념적，기시각문화범형불시“가견적인”，이시“가견적정신”。저일범형촉급시각문화발전적제다심층차문제，구유선견지명，단인시대화개인국한，타존재제다불족지처，주요시과우강조시각문화적정치의식형태속성。
As the earliest presenter of the concept of visual culture, Balazs puts forward his concept of visual culture and constructs his film aesthetics from the angle of the spirit visibility. " Visible spirit" is the paradigm of the visual culture. Touching many deep-level problems in the development of visual culture, this paradigm has both the foresight and weaknesses because of time and per-sonal limitations. The main weakness consists in its overemphasis on the political ideological property.