CAJ | 학술논문

在电影中, 当我们将建立在平面与时间组合而成的三维空间内的片段通过蒙太奇手法进行艺术连接与重新编辑时, 便有机会创作出新的戏剧火花与镜头灵感.建筑与之相比, 少了语言叙事的能力, 却拥有空间这一叙事手段. 两者在多个方面拥有相同的叙事方式, 所以, 我们可以认为, 建筑空间中的叙事蒙太奇是值得探讨的一个空间构建方式.
재전영중, 당아문장건립재평면여시간조합이성적삼유공간내적편단통과몽태기수법진행예술련접여중신편집시, 편유궤회창작출신적희극화화여경두령감.건축여지상비, 소료어언서사적능력, 각옹유공간저일서사수단. 량자재다개방면옹유상동적서사방식, 소이, 아문가이인위, 건축공간중적서사몽태기시치득탐토적일개공간구건방식.
In films, when every single section happened in the three-dimensional space which is combinated two-dimen-sional world with time rewrited by Montage, we will have the chance to create a more magic scene. Compared with film, the architecture is lack of the ability of saying, but it had space which is another way to expressing. The two kind of things have much in common, so we can saying that, the narative montage in architecture space is worthy of discussing which can be rela-tied to the way of space construction.