CAJ | 학술논문

顾彬的《二十世纪中国文学史》在一定层面上打破了以往文学史的书写模式，采用文学史博物馆的经典化书写方式，在历史性前提下偏重文学性，具有浓厚的主观色彩。它弱化了文学史流派分支书写体例，淡化了作家流派意识，更着重于作家作品的内在精神联系，并将20世纪知识分子忧郁的精神质素落到现代性层面来阐释。意在表明解除学术霸权，解放文学史家才能使文学史编写符合文学史本身，从而走向“轻松化”和“多元化”。
고빈적《이십세기중국문학사》재일정층면상타파료이왕문학사적서사모식，채용문학사박물관적경전화서사방식，재역사성전제하편중문학성，구유농후적주관색채。타약화료문학사류파분지서사체례，담화료작가류파의식，경착중우작가작품적내재정신련계，병장20세기지식분자우욱적정신질소락도현대성층면래천석。의재표명해제학술패권，해방문학사가재능사문학사편사부합문학사본신，종이주향“경송화”화“다원화”。
To some extent, Gu Bin’ s History of the 20th Century Chinese Literature has gone beyond the tradi-tional writing mode by adopting the classic one of museum of literary history, i.e.highlighting the subjective views by choosing to be more literary while staying faithful to history.This mode shifts attention from schools of differen writing styles and writer groups to the inner connection across schools.Moreover, it attempts to analyze the melancholy quality of the 20th century intellectuals under modern context, contending that only be getting rid of academic hegemony to liberate literary historians can return compilation of literary histories to history itself to make it an enjoyable, diversified job.