廊坊师范学院学报(社会科学版)
廊坊師範學院學報(社會科學版)
랑방사범학원학보(사회과학판)
JOURNAL OF LANGFANG TEACHERS COLLEGE(SOCIAL SCENCES EDITION)
2015年
4期
17-21
,共5页
新世纪%文学%底层写作%知识分子%启蒙%话语
新世紀%文學%底層寫作%知識分子%啟矇%話語
신세기%문학%저층사작%지식분자%계몽%화어
New Century%literature%bottom writing%intellectual%enlightenment%discourse
探讨新世纪底层写作中的启蒙话语,实际是为底层写作寻找文学理论资源。21世纪的今天,国家政治体制逐步完善、传统与现代文化多元发展、国民政治文化素质不断提高、社会物质精神财富日益丰富,在旧的启蒙的目的已经基本完成的状态下,我们说“启蒙”仍是一项未竟的事业。“五四”新文学传统对于当下中国作家的文学创作来说是不断的再生资源,新世纪底层写作中所蕴涵的现实关怀、启蒙诉求是对于“五四”启蒙精神的呼应,而且这种呼应不是简单的复制或模仿,它既是文学自身运动的一种结果,同时也可以看作是新世纪以来一些作家对于新文学传统之于当下现实开掘的一种遇合。
探討新世紀底層寫作中的啟矇話語,實際是為底層寫作尋找文學理論資源。21世紀的今天,國傢政治體製逐步完善、傳統與現代文化多元髮展、國民政治文化素質不斷提高、社會物質精神財富日益豐富,在舊的啟矇的目的已經基本完成的狀態下,我們說“啟矇”仍是一項未竟的事業。“五四”新文學傳統對于噹下中國作傢的文學創作來說是不斷的再生資源,新世紀底層寫作中所蘊涵的現實關懷、啟矇訴求是對于“五四”啟矇精神的呼應,而且這種呼應不是簡單的複製或模倣,它既是文學自身運動的一種結果,同時也可以看作是新世紀以來一些作傢對于新文學傳統之于噹下現實開掘的一種遇閤。
탐토신세기저층사작중적계몽화어,실제시위저층사작심조문학이론자원。21세기적금천,국가정치체제축보완선、전통여현대문화다원발전、국민정치문화소질불단제고、사회물질정신재부일익봉부,재구적계몽적목적이경기본완성적상태하,아문설“계몽”잉시일항미경적사업。“오사”신문학전통대우당하중국작가적문학창작래설시불단적재생자원,신세기저층사작중소온함적현실관부、계몽소구시대우“오사”계몽정신적호응,이차저충호응불시간단적복제혹모방,타기시문학자신운동적일충결과,동시야가이간작시신세기이래일사작가대우신문학전통지우당하현실개굴적일충우합。
To investigate the enlightenment discourse in the bottom writing in the new century is actually looking for literary theory re-sources of the bottom writing. In the 21th Century today, the national political system gradually improving; traditional and modern culture diversified;the quality of national political culture continuously improved;society material and spiritual wealth increased;the goal of the old enlightenment has basically been attained; still, "enlightenment" remains an unfinished business. The "May Fourth"New Literary tradition, to literature of contemporary Chinese literary writers, is a constantly renewable resource. The real concern and enlightenment appeal that are implied in the new century bottom writing is a response to the "May Fourth Movement" Spirit of Enlightenment. This response, however, is not a simple copy or imitation. It is both a result of the movement of literature itself and a coincidence that is created by the New Century writers in the current literary situation.