CAJ | 학술논문

汉语诗歌强大的载道传统与教化成规、民族国家苦难历史的集体心理创伤、精英意识与民粹情结的二元对立和现代主义诗风追求深度的美学，使现代汉诗几乎完全倾向于卡尔维诺所说的文学之“重”。身处边缘的熊国华从借鉴台湾当代诗歌出发，一直致力于在诗歌的轻与重之间寻求动态的平衡。他在想象都市时，无论其题材和主题差异有多大，都甚少采用古典山水田园诗中常见的重复或并列的抒情结构，而是采用肯尼斯??伯克所说的发展结构，试图在象征行动的展开中找到在非诗都市空间重新做一个抒情诗人的可能。在以文学通则忽视的遗忘笔法化去社会和个人历史的记忆之重时，又不避诗歌的公共性，对生态、历史和现实进行讽喻，呈现了生命的不可承受之轻。
한어시가강대적재도전통여교화성규、민족국가고난역사적집체심리창상、정영의식여민수정결적이원대립화현대주의시풍추구심도적미학，사현대한시궤호완전경향우잡이유낙소설적문학지“중”。신처변연적웅국화종차감태만당대시가출발，일직치력우재시가적경여중지간심구동태적평형。타재상상도시시，무론기제재화주제차이유다대，도심소채용고전산수전완시중상견적중복혹병렬적서정결구，이시채용긍니사??백극소설적발전결구，시도재상정행동적전개중조도재비시도시공간중신주일개서정시인적가능。재이문학통칙홀시적유망필법화거사회화개인역사적기억지중시，우불피시가적공공성，대생태、역사화현실진행풍유，정현료생명적불가승수지경。
The powerful conveying tradition and routine, the collective emotional trauma by national troubled history, the contradiction between genius awareness and populist complex and the pursuit of the depth of aesthetics contribute to the weightiness mentioned by Calvino of modern Chinese poetry. Xiong Guo Hua dedicates his efforts to keeping a dynamic balance between weightiness and easiness in his poems by drawing on Taiwan modern poetry. When pondering over cities, Mr.Xiong seldom applies repetition or parallel structures, no matter how different the topic and the theme are. Instead, he takes advantage of what Kenneth Burke mentioned development structure and attempts to explore the possibility of being a lyric poet in the non￣poetry space. In eliminating the weightiness of social and personal memory of history, Mr. Xiong in his poems presents the easiness of life, by facing the commonality of poetry and satirizing ecology, history and reality.