CAJ | 학술논문

美国戏剧家尤金·奥尼尔用严肃戏剧对人类命运和人的精神世界给予极大的关怀。本文选择《上帝的儿女都有翅膀》、《马可百万》和《送冰的人来了》等奥尼尔3个不同时期的剧本进行文本分析，通过文本细读发现奥尼尔的戏剧叙事具有解构主义的特色，他尝试通过解构方式消解种族、西方中心和理性与非理性等诸多社会矛盾，以期找到减除现代工业文明时期人类面临的精神痛苦的良药。奥尼尔剧作的后现代解构主义伦理叙事风格深受他个人身份认同的缺失、东方道家哲学和心理分析理论的影响。本文通过对奥尼尔的后现代解构倾向的考究，对国内奥尼尔研究提供了新的思路和方法，同时，本项研究也为我们认识和解决中国当今社会矛盾提供了借鉴。
미국희극가우금·오니이용엄숙희극대인류명운화인적정신세계급여겁대적관부。본문선택《상제적인녀도유시방》、《마가백만》화《송빙적인래료》등오니이3개불동시기적극본진행문본분석，통과문본세독발현오니이적희극서사구유해구주의적특색，타상시통과해구방식소해충족、서방중심화이성여비이성등제다사회모순，이기조도감제현대공업문명시기인류면림적정신통고적량약。오니이극작적후현대해구주의윤리서사풍격심수타개인신빈인동적결실、동방도가철학화심리분석이론적영향。본문통과대오니이적후현대해구경향적고구，대국내오니이연구제공료신적사로화방법，동시，본항연구야위아문인식화해결중국당금사회모순제공료차감。
With the form of“serious plays”, Eugene O’Neill, the American playwright showed great concern of the fate and spirituality of mankind. The paper has made a close reading ofAll God’s Chillun Got Wings,Marco Millions, andThe Iceman Cometh, three plays of Eugene O’Neill written in different periods, and found that O’Neill’s theatrical narration has deconstructive characteristics. O’Neill attempts to resolve social contradictions with his plays by deconstructing the racialism, western centralism and rational centralism in the hope of alleviating the spiritual suffering of people caused by modern industrialization. O’Neill’s deconstructive intent and ethical narration are rooted in the absence of his identity, the influence of oriental Taoism and psychoanalysis. The exploration on O’Neill’s deconstructive intent furnishes new perspectives and ways on O’Neill’s study in China as well as a good reference to be used to observe and solve the social conflicts of China today.