CAJ | 학술논문

在《水浒传》中表现武松的侠义、道义、情义等令人敬仰的伦理道德的时候，正是叙事时间的设置凸显的英雄伦理、情节结构的安排展示的复仇伦理、交游线索的剪辑表现的侠义伦理，将一个传奇式的英雄在道德形象和审美形象之间的矛盾裂隙融合得天衣无缝。其中包蕴的相互矛盾或者相关的性格的评价都展示了武松的某一个侧面，只有全部合起来才构成一个完整的有血有肉的武松的形象。
재《수호전》중표현무송적협의、도의、정의등령인경앙적윤리도덕적시후，정시서사시간적설치철현적영웅윤리、정절결구적안배전시적복구윤리、교유선색적전집표현적협의윤리，장일개전기식적영웅재도덕형상화심미형상지간적모순렬극융합득천의무봉。기중포온적상호모순혹자상관적성격적평개도전시료무송적모일개측면，지유전부합기래재구성일개완정적유혈유육적무송적형상。
In The Water Margin, the narrative time setting highlighted the hero ethics, revenge ethics and Chivalrous ethics when it was describing Wu Song‘s ethics of knight-errantry, morality and friendship, which was the perfect arrangement to show a legendary hero in the contradiction between moral and aesthetic image. The eval-uations included in either the conflicting or the character only showed certain aspects of Wu Song and needed com-bining together to form a complete image of true and vivid Wu Song.