南昌教育学院学报
南昌教育學院學報
남창교육학원학보
JOURNAL OF NANCHANG COLLEGE OF EDUCATION
2015年
4期
14-16
,共3页
前赤壁赋%客观对应物%经典重读
前赤壁賦%客觀對應物%經典重讀
전적벽부%객관대응물%경전중독
Boating at the red cliff%objective-correlate%re-scrutiny of classics
重读苏轼经典《前赤壁赋》，从水月作为心理意识的“客观对应物”角度切入，剖析“月和水”在“主与客”心中三重观感，探索它们由物我交流的人格对象，到天人相形的自然客体，再到物我同一的精神载体的不同地位，领略作者从个人境遇到宇宙人类命运再复归个人心灵的深邃思考，把握其景、情、理交融的艺术特质。
重讀囌軾經典《前赤壁賦》，從水月作為心理意識的“客觀對應物”角度切入，剖析“月和水”在“主與客”心中三重觀感，探索它們由物我交流的人格對象，到天人相形的自然客體，再到物我同一的精神載體的不同地位，領略作者從箇人境遇到宇宙人類命運再複歸箇人心靈的深邃思攷，把握其景、情、理交融的藝術特質。
중독소식경전《전적벽부》，종수월작위심리의식적“객관대응물”각도절입，부석“월화수”재“주여객”심중삼중관감，탐색타문유물아교류적인격대상，도천인상형적자연객체，재도물아동일적정신재체적불동지위，령략작자종개인경우도우주인류명운재복귀개인심령적심수사고，파악기경、정、리교융적예술특질。
This is a re-scrutiny of Qian Chi Bi Fu,a classical work by Su Shi,from the perspective of moon and water as“objective correlative”of people’s mind.In exploring the moon and water’s images in the heart of “host and guest”,it finds the two objects undergoing an evolution from personified targets of communication,to natural objects symbolizing nature-human opposition,and to spiritual containers of nature-human integration.In such an evolution underlies Su Shi’s profound meditati-ons on personal encountering,universal destiny and spiritual home,and within the text is an art of interwoven landscape por-trait,emotional reflection and philosophical speculation.
