CAJ | 학술논문

川端康成在他的作品《雪国》中，塑造了两个具有深远意义的女性形象——驹子和叶子。在川端康成恋母情结、男权思想、以死为美思想以及独具魅力的佛禅思想的影响下，这两个女性的形象丰满且生动。驹子充满活力的肉体象征着一种顽强的生命意识，即“肉”的理念符号。叶子则是一个完美化的形象，她象征了绝对的纯洁。这两个形象，反映出了那个时代平民的生活状态，表现了人们对未来美好的憧憬；这两个形象是我们研究川端康成创作思想的重要线索，也是探究日本文化的一个切入点。
천단강성재타적작품《설국》중，소조료량개구유심원의의적녀성형상——구자화협자。재천단강성련모정결、남권사상、이사위미사상이급독구매력적불선사상적영향하，저량개녀성적형상봉만차생동。구자충만활력적육체상정착일충완강적생명의식，즉“육”적이념부호。협자칙시일개완미화적형상，저상정료절대적순길。저량개형상，반영출료나개시대평민적생활상태，표현료인문대미래미호적동경；저량개형상시아문연구천단강성창작사상적중요선색，야시탐구일본문화적일개절입점。
Kawabata created two far-reaching female images:Komako and Yoko in his work“Snow Country”. Influenced by Kawabata’ s oedipus complex, chauvinism, death-eulogizing idea and Buddhism thought, the images of two women are very rich and vivid. Komako with his life full of vigor symbolizes an indomitable life, viz, the ideal symbol of“flesh”, and Yoko, a perfect image, symbolizes an ab-solute chastity. These two images reflect the life situation of civilians at that time and reveal people’s hope for the future. Besides, the two images are very important clues for us to look at Kawabata’s writing thinking, and a starting point to explore Japanese culture.