CAJ | 학술논문

从20世纪50年代以来所形成的斯特恩研究传统来看，《项狄传》是讽刺文还是小说的文类定性始终是评论界的研究焦点，但鲜有人论及出版商在《项狄传》文类属性形成中的作用。文章分析斯特恩与出版商的协商过程，指出斯特恩在出版商的引导下有意识地去除《项狄传》的讽刺文属性，融入小说属性。
종20세기50년대이래소형성적사특은연구전통래간，《항적전》시풍자문환시소설적문류정성시종시평론계적연구초점，단선유인론급출판상재《항적전》문류속성형성중적작용。문장분석사특은여출판상적협상과정，지출사특은재출판상적인도하유의식지거제《항적전》적풍자문속성，융입소설속성。
Considering the studies of Laurence Sterne since 1950s,a hot topic is whether“Tristram Shandy” is a satire or novel. However,the publisher’ s role that influences its genre category is rarely concerned. By analyzing the negotiation process between Sterne and publish-er,it is pointed out that Sterne got rid of the satire features under the guidance of the publisher and meanwhile employed more novel elements.