求是学刊
求是學刊
구시학간
SEEKING TRUTH
2015年
5期
147-155
,共9页
李白%山水诗%艺术渊源%七绝%五古%歌行
李白%山水詩%藝術淵源%七絕%五古%歌行
리백%산수시%예술연원%칠절%오고%가행
LI Bai%landscape poems%artistic origin%seven-character and four-line poem%five-charac-ter traditional poem%poetic line
相对王维、孟浩然山水诗的成就主要在五言，高适、岑参、王昌龄等人七言写山水也很少，李白在安史之乱前就已广泛采用五古、五律、五绝、七绝、七言歌行等体裁来表现山水主题，并且取得了很高的艺术成就。从体裁入手考察其山水诗，可以说李白是盛唐诗人中在山水诗创作方面用力最勤、开掘最广、变创最多的诗人。李白各体山水诗都有其独特的渊源与风格特点，在承与变、承与创之间有不同的表现。而总的特点有二：一是充分地表现个性，二是从各自的体裁特点出发，共同体现对音乐性的追求。二者构成李白山水诗不同于盛唐诸家的独特个性，而且对后世山水诗艺术影响深远。
相對王維、孟浩然山水詩的成就主要在五言，高適、岑參、王昌齡等人七言寫山水也很少，李白在安史之亂前就已廣汎採用五古、五律、五絕、七絕、七言歌行等體裁來錶現山水主題，併且取得瞭很高的藝術成就。從體裁入手攷察其山水詩，可以說李白是盛唐詩人中在山水詩創作方麵用力最勤、開掘最廣、變創最多的詩人。李白各體山水詩都有其獨特的淵源與風格特點，在承與變、承與創之間有不同的錶現。而總的特點有二：一是充分地錶現箇性，二是從各自的體裁特點齣髮，共同體現對音樂性的追求。二者構成李白山水詩不同于盛唐諸傢的獨特箇性，而且對後世山水詩藝術影響深遠。
상대왕유、맹호연산수시적성취주요재오언，고괄、잠삼、왕창령등인칠언사산수야흔소，리백재안사지란전취이엄범채용오고、오률、오절、칠절、칠언가행등체재래표현산수주제，병차취득료흔고적예술성취。종체재입수고찰기산수시，가이설리백시성당시인중재산수시창작방면용력최근、개굴최엄、변창최다적시인。리백각체산수시도유기독특적연원여풍격특점，재승여변、승여창지간유불동적표현。이총적특점유이：일시충분지표현개성，이시종각자적체재특점출발，공동체현대음악성적추구。이자구성리백산수시불동우성당제가적독특개성，이차대후세산수시예술영향심원。
Compared with five-character landscape poems of WANG Wei and MENG Hao-ran, there are very few seven-character landscape poems of GAO Shi, CEN Shen and WANG Chang-ling. How?ever, LI Bai before AN and SHI Riot writes landscape poems with styles such as five-character, five-character and eight-line, five-character and four-line, seven-character and four-line and seven-character poems, which achieve greatly artistically. Stylistically speaking, LI Bai explores most hard, extensively and change-fully in the writing of landscape poems in flourishing Tang Dynasty with unique origin and features and with different expression of tradition and innovation. The overall fea?tures are: first, they show individuality; secondly, they start from different types of literature and pur?sue musicality commonly. There contribute to the individuality of landscape poems of LI Bai and cast lasting influence on the posterity.
