苏州教育学院学报
囌州教育學院學報
소주교육학원학보
JOURNAL OF SUZHOU COLLEGE OF EDUCATION
2015年
3期
42-44
,共3页
陆机%玄学%简约%繁缛
陸機%玄學%簡約%繁縟
륙궤%현학%간약%번욕
Lu Ji%metaphysics%conciseness%overelaboration
受王弼玄学本体论的影响,形成了陆机尚简约的文学思想与创作上繁缛诗风的突出矛盾。这既与玄学理论本身因素有关,也与陆机玄学化的思维方式有关。同时,也反映了陆机对某种艺术范式的探索,对后来诗学的发展有着重要的启示意义。
受王弼玄學本體論的影響,形成瞭陸機尚簡約的文學思想與創作上繁縟詩風的突齣矛盾。這既與玄學理論本身因素有關,也與陸機玄學化的思維方式有關。同時,也反映瞭陸機對某種藝術範式的探索,對後來詩學的髮展有著重要的啟示意義。
수왕필현학본체론적영향,형성료륙궤상간약적문학사상여창작상번욕시풍적돌출모순。저기여현학이론본신인소유관,야여륙궤현학화적사유방식유관。동시,야반영료륙궤대모충예술범식적탐색,대후래시학적발전유착중요적계시의의。
Inftuenced by the metaphysical ontology of Wang Bi, a contradition exists between the pursuit of conciseness in Lu Ji’s literary ideology and the cumbersome overelaboration in his real literary creation, which is determined by the metaphysical theories and relates to the metaphysicalized way of thinking. The binary paradox illustrates Lu Ji’s exploration in certain art paradigm and plays a signiifcant role in the subsequent development of poetics.