CAJ | 학술논문

林语堂以幽默、性灵、闲适为特色,建构起一套独特的小品文理论话语.他打破"文以载道"的封建桎梏,不为圣人立言,不复替天行道,是对廊庙文学的反动;自觉跳出以启蒙导师自居的精英立场,回归于生活的常人心态,并为小品文的主体设计了凡人庸人形象,完成了民间岗位意识的确立;以平易近人的谈话风格为格调,闲谈人生,探寻中西文化.在林语堂的小品文中,隐含着令人深省的文化意味.
림어당이유묵、성령、한괄위특색,건구기일투독특적소품문이론화어.타타파"문이재도"적봉건질곡,불위골인립언,불복체천행도,시대랑묘문학적반동;자각도출이계몽도사자거적정영립장,회귀우생활적상인심태,병위소품문적주체설계료범인용인형상,완성료민간강위의식적학립;이평역근인적담화풍격위격조,한담인생,탐심중서문화.재림어당적소품문중,은함착령인심성적문화의미.
Lin Yutang constructed his special theory of essay by humour, spirit and leisure. He broke the feudal shackles that literature must interpret morality and praise Confucianism. His essay didn＇t commit the ideas of the sage, no longer enforced justice on behalf of Heaven, so it was reactionary to imperial court literature. He returned to populace psychology, jumping out of the outstanding intelligentsia standpoint and had designed the mediocre person image for short essay, estab- lished the folk consciousness--to take the amiable conversation as the style of chatting life, exploring the cultures between China and the West. Lin Yutang＇s short essay, always implied profound cultural meaning.