考古与文物
攷古與文物
고고여문물
Archaeology and Cultural Relics
2006年
2期
65~72
,共null页
象征意义 画像 墓室 北朝 邺城 洛阳 文化面貌 社会文化 墓葬 观察点
象徵意義 畫像 墓室 北朝 鄴城 洛暘 文化麵貌 社會文化 墓葬 觀察點
상정의의 화상 묘실 북조 업성 락양 문화면모 사회문화 묘장 관찰점
洛阳与邺城作为北朝前后相继的两个统治核心，墓葬文化面貌具有很强的代表性。从洛阳到邺城，墓葬文化面貌发生了巨大的转折，尤其又以墓葬的装饰（即墓室画像）表现得最为显著。本文将以这两个地区的墓室画像为观察点，探讨北朝墓葬的象征意义及所反映的社会文化和观念的变化。
洛暘與鄴城作為北朝前後相繼的兩箇統治覈心，墓葬文化麵貌具有很彊的代錶性。從洛暘到鄴城，墓葬文化麵貌髮生瞭巨大的轉摺，尤其又以墓葬的裝飾（即墓室畫像）錶現得最為顯著。本文將以這兩箇地區的墓室畫像為觀察點，探討北朝墓葬的象徵意義及所反映的社會文化和觀唸的變化。
락양여업성작위북조전후상계적량개통치핵심，묘장문화면모구유흔강적대표성。종락양도업성，묘장문화면모발생료거대적전절，우기우이묘장적장식（즉묘실화상）표현득최위현저。본문장이저량개지구적묘실화상위관찰점，탐토북조묘장적상정의의급소반영적사회문화화관념적변화。
From Luoyang to Yecheng, which was the capital of Northern Wei and that of Eastern Wei - Northern Qi respectively, the tomb paintings had changed both in forms and motifs . The Luoyang＇ s tombs focused on the stone mortuaries, and the stone relief＇ s theme was on the filial piety and immortal beings, While the Yechang＇ s tombs focused on the chambers, and the wall painting＇ s theme was on the honor guards, feast and enjoyment. The Luoyang tomb paintings, mainly inheriting the Han traditions, symbolized an unreal social ideality, but the Yecheng ones, influenced greatly by the Southern and Western cultures, indicated the owners＇ real social status and temporal life and bore a realistic meaning.
