天津大学学报：社会科学版
天津大學學報：社會科學版
천진대학학보：사회과학판
Journal of Tianjin University(Social Sciences)
2006年
3期
237~240
,共null页
文人画祖 顾恺之 画史地位
文人畫祖 顧愷之 畫史地位
문인화조 고개지 화사지위
ancestor of literati painting;Gu Kai-zhi ; status in pictorial history
明代书画家、理论家董其昌曾提出文入画肇始于唐代王维的观点。针对此论，提出了文入画始祖是东晋顾恺之的新观点。首先从绘画的题材及表现形式两方面排除了两个桎梏人们头脑的陈俗之见，然后从顾恺之的绘画理论与创作成就两个方面着手，论证了他前无古人，开一代画风的文人画始祖地位。
明代書畫傢、理論傢董其昌曾提齣文入畫肇始于唐代王維的觀點。針對此論，提齣瞭文入畫始祖是東晉顧愷之的新觀點。首先從繪畫的題材及錶現形式兩方麵排除瞭兩箇桎梏人們頭腦的陳俗之見，然後從顧愷之的繪畫理論與創作成就兩箇方麵著手，論證瞭他前無古人，開一代畫風的文人畫始祖地位。
명대서화가、이론가동기창증제출문입화조시우당대왕유적관점。침대차론，제출료문입화시조시동진고개지적신관점。수선종회화적제재급표현형식량방면배제료량개질곡인문두뇌적진속지견，연후종고개지적회화이론여창작성취량개방면착수，론증료타전무고인，개일대화풍적문인화시조지위。
Dang Qi-chang, a painter, calligrapher and theorist of Ming Dynasty, put forward that it was Wang Wei in Tang Dynasty who begun literati painting. Against the contention, this paper argues that the ancestor of literati painting is Gu Kai-zhi in Dong Jin period. First, from pictorial material and form, two vulgar opinions astricting people＇ s mind are abated. Then the writer demonstrates that Gu Kai-zhi begun the style of literati painting and has the status of ancestor for his theory of painting and artistic merits of creative works.
