CAJ | 학술논문

格鲁克是歌剧史上划时代的人物，是歌剧的改革者。在18世纪初，他对意大利正歌剧提出了改革。主张音乐要为戏剧服务，简化音乐及情节，摈弃传统的炫技要求，提倡自然淳朴的表现，并强调歌剧应有深刻的内容，追求戏剧的真实性，力求将歌剧的各种表现手段融会一体。由他创作的歌剧《奥菲欧与尤丽狄茜》就努力实现了这些改革主张，并获得了成功，在音乐史上留下了光辉的一页。
격로극시가극사상화시대적인물，시가극적개혁자。재18세기초，타대의대리정가극제출료개혁。주장음악요위희극복무，간화음악급정절，빈기전통적현기요구，제창자연순박적표현，병강조가극응유심각적내용，추구희극적진실성，력구장가극적각충표현수단융회일체。유타창작적가극《오비구여우려적천》취노력실현료저사개혁주장，병획득료성공，재음악사상류하료광휘적일혈。
Christoph WillibaldvonGluckis an epoch - making opera innovator in the history of opera. In the beginningof 18thcentury, aiming at the malpractice in the form of then popular Opera seriain Italy, he lodged a reformatory allegation. He thought that music should serve for drama. He predigested music and plot. He cast away the traditional showing - off technique and advocated the natural and unsophisticated representation. He emphasized that opera should have profound meaning and sought the authenticity of an opera. He also combined every representational skills into a whole, getting rid of all of the superfluous stuff. In thecreation of his first reformatoryopera , Orfeo and Euridice, he realized all these propositions and gained success. ,leaving a resplendent page in the history of music.